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Philosophy of the Performing Arts
  • Language: en
  • Pages: 248

Philosophy of the Performing Arts

This book provides an accessible yet sophisticated introduction to the significant philosophical issues concerning the performing arts. Presents the significant philosophical issues concerning the performing arts in an accessible style, assuming no prior knowledge Provides a critical overview and a comprehensive framework for thinking about the performing arts Examines the assumption that classical music provides the best model for thinking about artistic performance across the performing arts Explores ways in which the ‘classical paradigm’ might be extended to other musical genres, to theatre, and to dance Applies the thinking on performing arts to the issue of ‘performance art’

Psychology and Performing Arts
  • Language: en
  • Pages: 324

Psychology and Performing Arts

  • Type: Book
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  • Published: 1991-01-01
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  • Publisher: CRC Press

None

The Folk Performing Arts
  • Language: en
  • Pages: 203

The Folk Performing Arts

  • Type: Book
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  • Published: 1997
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  • Publisher: SUNY Press

Addresses issues concerning the survival and preservation of traditional culture by examining Japan's folk performing arts and the public policies that affect them.

Television and the Performing Arts
  • Language: en
  • Pages: 270

Television and the Performing Arts

"Rose presents a comprehensive historical explanation of the related changes in television and in the four performing arts. . . . Highly recommended for both culture students and enthusiasts of the performing arts." Library Journal

African Americans in the Performing Arts
  • Language: en
  • Pages: 289

African Americans in the Performing Arts

Provides short biographies of African Americans who have contributed to the performing arts.

Buildings for the Performing Arts
  • Language: en
  • Pages: 288

Buildings for the Performing Arts

  • Type: Book
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  • Published: 2012-05-31
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  • Publisher: Routledge

This Design and Development Guide is an essential book for those who are involved in the initiation, planning, design and building of facilities for the various performing arts, from local to metropolitan locations. It includes the stages in the development, decisions to be taken, information requirements, feasibility and advice necessary in the design and development of a new or adapted building. Part one of this guide provides the background information about the organisation of the performing arts, the prevailing issues, the client and various building types. In the second part, the author deals with the components of design and development, identifying the roles of the client, advisors a...

Joseph Conrad and the Performing Arts
  • Language: en
  • Pages: 165

Joseph Conrad and the Performing Arts

Offering an exciting forum for one of the most interesting and nascent areas of Conrad studies, this collection examines major and neglected works within the context of the performing arts, including popular theatrical traditions, early cinema, shadow plays, Shakespeare, and opera. Taken together, the essays provide, through solid scholarship and richly provocative speculation, new insight into Conrad's oeuvre, and invite future dialogue in the burgeoning field of Conrad and the performing arts.

A classification for the performing arts
  • Language: en
  • Pages: 116

A classification for the performing arts

  • Type: Book
  • -
  • Published: 1974
  • -
  • Publisher: Unknown

None

The Performing Arts
  • Language: en
  • Pages: 366

The Performing Arts

None

Theory of Performing Arts
  • Language: en
  • Pages: 153

Theory of Performing Arts

n recent years, the post structuralist theories seem to have created a split in theatrological research. But, as André Helbo analyses in this book , a dialectic theory of the semiotic and the symbolic exchange bring to light a specific paradigm. From his wide experience as a semiotician and a theatrologist, the author has developed an analysis for the theory of spectacle. Focusing his study on a critical theory of the performing arts, and examining the fundamental controversies, he then offers new perspectives and new instruments of analysis: the social aspects, readability/visibility, coherence, the spectacle contract.